![]() It would be the new exhibition hall for the Vienna Secession built by Joseph Olbrich and above it’s door a motto for the age: “To every age its art, to every art its freedom”. Eventually a new building unlike anything ever seen would appear just off the Ringstrasse signalling a rejection of historicism. ![]() It is in this environment that the first seeds of the Secession movement began to germinate, led by a group of artists who searched for a synthesis of the arts and a place where their new works could be exhibited. There was a Neo-Greek parliament, a gothic City Hall, Neo-Baroque apartment buildings and most importantly only two exhibition bodies favouring classical-style art. Labelled as a ‘Potemkin City’ in the Secession magazine ‘Ver Sacrum’, the Ringstrasse came to symbolize the stifling attitude towards the arts that predominated in a society content with recycling classical styles rather than embracing the new modernist styles that were budding in the rest of Europe. Look for the exit marked “Ausgang Secession”.Take a stroll along the Ringstrasse today the former location of Vienna’s city walls, and one finds a pastiche of 18th century neo-classical architecture built mostly as a showcase for the grandeur of the Habsburg Empire. ![]() It’s quite a big subway station, so you want to leave the complex to the west. The U1, U2, and U4 subway lines all stop there. The Secession building is right next to Karlsplatz, a major subway station, so is well connected to the public transport system.
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